"...omend saxofongruppens stæ rkeste kort nok er den svenske Cecilia Wennerström, der bland annat tegner sig for en magtful barytonsolo på en tangorytme i Hanne Rømers "Fragment of a Hidden Treasure"..."
"...if after all the strongest card on hand among the saxophones probably is the Swedish Cecilia Wennerström who among other things designs a mighty baritone solo on a tango rythm in Hanne Rømers "Fragment of a Hidden Treasure"..."
Kjeld Frandsen, Berlingske Tidende, Copenhagen, 11/7-94
"...og det var også her, den begavede Cecilia Wennerström foldede sig ud i en økonomisk, smuk barytonsolo..."
"...and it was also here that the gifted Cecilia Wennerström developed an economic, beautiful baritone solo. ..."
Torbjörn Sjögren, Politiken, Copenhagen, 11/7-94
"...ett lyckat resultat av Marie Selander och den lyhörda saxofonisten Cecilia Wennerströms lustfyllda gemensamma improvisationer."
"...a successful result of the pleasure-filled improvisations of Marie Selander together with the sensitive saxophone player Cecilia Wennerström."
Gert-Ove Fridlund, Gränslöst 2-95
"...hennes rutin och kunskap, blandad med påtaglig inspiration, tjänar henne väl....Behave Yourself och Minor Stomp är Wennerström-kompositioner, som gissningsvis kommer att spelas även av andra musiker. "
"...her routine and knowledge, mixed with obvious inspiration, serves her well....Behave Yourself and Minor Stomp are Wennerström compositions that according to my guess will be played by other musicians as well."
Leif Wigh, Orkesterjournalen 12-97
"...Nu är hon tillbaka i den stil som först tände henne, klassisk bebop....Hennes ton är skarp och temperamentsfull. Idéerna håller sig nära melodierna och taktslagen, tonen förebådar större anarkism...."
"...Now she’s back in the style that first turned her on, classical bebop...Her sound is sharp and hot tempered. The ideas stick close to melody and beat, the sound promises greater anarchy..."
Ingmar Glanzelius, Dagens Nyheter/På Stan 27/2-98
"…This is exhilarating contemporary jazz performed by four musicians with unfamiliar names but world-class credentials."
Jack Bowers, allaboutjazz.com/REVIEWS/R1299_43 Read the whole review!
"…With this release, Wennerström demonstrates that she has gained a place among those relatively few practitioners of the big instrument who have given it a formidable presence in progressive jazz bands."
Dave Nathan, allaboutjazz.com/REVIEWS/2001
"…Cecilian soitto soljuu kuin kirkkovene tyynellä Kalmalahdella, karusti, mutta silti hellän tunteikkaasti."
"…Cecilias tones are calm as a church boat on a still water, rough, but tender and sensitive."
Osku Rajala, Jazzrytmit, Helsingfors, 5/2001