Nutida Improvisation x 3 / Contemporary Improvisation x 3
A concert in Stockholm with three different, genuine and interesting sets of free jazz and contemporary music

Monday 23th April at 7.30 PM
Ticket price: SEK 150

Teaterstudio Lederman, Gästrikegatan 13, Stockholm, (T) S:t Eriksplan, tel. 08-30 30 94
www.teaterlederman.com

Program 7.30 PM - 10.00 PM with paus:

1. Solo concert for grand piano and electronics: Susanna Lindeborg
2. Solo concert for trombone: Ivo Nilsson
3. Free jazz with the quartet Wennerström Larsson Explicity: Sven Larsson, bass trombone, Cecilia Wennerström, tenor saxophone, Filip Augustson, double bass, Henrik Wartel, drums.

Susanna Lindeborg, piano and keyboard, started her professional musical career at the middle of the 70th. From her classical upbringing she turned into work with jazz and improvisation, which showed to be her right element. The thing you first think of together with Susanna Lindeborg is her work with the mix of acoustic and electronic instruments, which has been known most of all through the group MWENDO DAWA, which she is the leader of together with saxophone player Ove Johansson. Mwendo Dawa has been succesfully touring in 22 countries in Europe, North and South America and China performing at festivals like Montreux, Northsea and Montreal.

The past few years she has been regularly visiting USA and Canada with Mwendo Dawa. Susanna also writes a lot of the repertoire for the group. Besides Mwendo Dawa Susanna Lindeborg toured a great deal with the female jazz group Salamander during the beginning of the 80th. Salamander arouse a lot of attention on the European continent and in USA and Susanna came to tour a lot internationally with these two groups. Read more

Ivo Nilsson
Ivo Nilsson made his debut as a soloist with the Swedish Radio Symphony Orchestra in 1989, after studies at the Royal Academy of Music in Stockholm and at IRCAM in Paris. The same year he also made his debut as a composer with an octet premiered by ensemble l´Itineraire at Radio France.He is a member of the ensembles Axelsson & Nilsson-duo, Ensemble Son and KammarensembleN. As a soloist and with the above mentioned ensembles he has had performances at festivals like Beyond 440 Hz (Los Angeles), Chicago Jazz festival, Gaudeamus Music Days (Amsterdam), Huddersfield Contemporary Music festival, Inventionen (Berlin), Ilhom (Tashkent), Musica (Strasbourg), Roaring Hoofs (Mongolia), 2 Days and 2 Nights (Odessa), Sonorities (Belfast), Spazio Musica (Cagliari), Spectra (Tirana), Time of music (Viitasaari), Ultima (Oslo), Warsaw Autumn and the World Music Days (Hong Kong, Stockholm and Zagreb).His is a recording artist on the labels Alice, Caprice, dbp, Phono Suecia, SFZ & Wergo.
Ivo Nilsson was the artistic director of the Stockholm New Music festival in 2003 & 2005. Read more


WENNERSTRÖM LARSSON EXPLICITY
When Sven Larsson and Cecilia Wennerström toured in Russia a couple of years ago with their experimental Duo Wela, they played with the thought of extending the duo sometime in the future. With the free jazz project Wennerström Larsson Explicity they have made their vision come true.
"Sven Larsson is a musical phenomenon. He is the bass trombonist who plays classical music as well as jazz, and who switches to tuba, tenor trombone, or didgeridoo without missing a beat." – Johan Scherwin, Svensk musik/STIM  Read more

Sven Larsson played with Rolf Ericson in the 60s and 70s, with Sender Freies Berlin Big Band in the 70s and then as a regular member of the Swedish Radio Jazz Group until the mid-80s. He has been the first-call bass trombonist in Sweden for nearly forty years.
"The results: curious, interesting, and wonderfully indulgent. Recommended." Nils Jacobson, All About Jazz 2001
"Great talking!!! Virtuosic!" Christian Lindberg at MySpace
Cecilia Wennerström made herself known as a baritone sax player in the 90s but she started as a free jazz tenor player in her own group Salamander in the 80s and played at several major European festivals. "Wennerström demonstrates that she has gained a place among those relatively few practitioners of the big instrument who have given it a formidable presence in progressive jazz bands." Dave Nathan, All About Jazz 2001.
Filip Augustson is one of Sweden’s most sought-after bass players. For many years he has toured, recorded and played with the best groups in Sweden. "His ever-evolving, in-depth lines and sturdy, well-paced and imaginative solos and accompaniment suit whatever surrounding he’s placed in." Laurence Donohue-Greene, All About Jazz 2005.
Henrik Wartel is one of Sweden’s most sensitive and creative drummers. He started playing with Eje Thelin and has a solid background within experimental music. "... drummer Henrik Wartel, who rolls his way through each phrase until the intervals begin to shift and blur, each becoming more dynamic than the last ..." Tom Jurek, CD Universe.

 

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